Vertaling en analyse van woorden door kunstmatige intelligentie ChatGPT
Op deze pagina kunt u een gedetailleerde analyse krijgen van een woord of zin, geproduceerd met behulp van de beste kunstmatige intelligentietechnologie tot nu toe:
- hoe het woord wordt gebruikt
- gebruiksfrequentie
- het wordt vaker gebruikt in mondelinge of schriftelijke toespraken
- opties voor woordvertaling
- Gebruiksvoorbeelden (meerdere zinnen met vertaling)
- etymologie
ward off attacks - vertaling naar
![Bridge]] Wards in 1720](https://commons.wikimedia.org/wiki/Special:FilePath/Billingsgate Cartographer; Blome, RichardSurveyor; Stow, John 1720.jpg?width=200 "Bridge]] Wards in 1720")
![1757 Print by [[Louis Philippe Boitard]], a view of the Legal Quays, between Billingsgate Dock and the Tower. Boitard's engraving, 'Imports from France', provides a satirical look at contemporary Londoners' passion for French luxury goods and manners. By deliberately exaggerating the number of both people and shipping, Boitard's work gives an authentic feel to work on Legal Quays: recording treadwheel cranes, beamscales, Customs’ Officers gauging barrels and porters handling cargo. Smuggling, theft and pilferage of cargoes were rife on both the busy open wharves and in the crowded warehouses.](https://commons.wikimedia.org/wiki/Special:FilePath/Imports from France Boitard 1757.jpg?width=200 "1757 Print by [[Louis Philippe Boitard]], a view of the Legal Quays, between Billingsgate Dock and the Tower. Boitard's engraving, 'Imports from France', provides a satirical look at contemporary Londoners' passion for French luxury goods and manners. By deliberately exaggerating the number of both people and shipping, Boitard's work gives an authentic feel to work on Legal Quays: recording treadwheel cranes, beamscales, Customs’ Officers gauging barrels and porters handling cargo. Smuggling, theft and pilferage of cargoes were rife on both the busy open wharves and in the crowded warehouses.")
![John Rocque's plan of 1746]]. Behind Legal Quays lies Thames Street, with its warehouses, sugar refineries and cooperages.](https://commons.wikimedia.org/wiki/Special:FilePath/Legal Quays 1746.jpg?width=200 "John Rocque's plan of 1746]]. Behind Legal Quays lies Thames Street, with its warehouses, sugar refineries and cooperages.")
Definitie
Wikipedia
The Art Attacks were an English punk band from April 1977 to March 1978.
Their songs released as singles were "I am a Dalek"/"Neutron Bomb" and "Punk Rock Stars"/"Rat City". The group was formed by Edwin Pouncey and Steve Spear, two students from the Royal College of Art, London for a one-off gig at the college. They were asked to do a gig at Wimbledon College of Art and this led to the band's short career. They had two tracks on the Live at the Vortex (NEMS) compilation album, ("Frankensteins Heartbeat" and "Animal Bondage") and one on the Streets (Beggars Banquet Records) compilation album, ("Arabs in Arrads"). They played at most of the London punk club and pub venues including The Marquee, Nashville and Vortex supporting bands like Generation X, 999, The Motors and The Lurkers. They also played out of town at venues in the south and north east of England. Their tracks have turned up on various punk compilations over the years and were collected and released with a bootleg live recording on the Outrage and Horror album (Overground Records).
In the initial rehearsals and demo Rick Slaughter was on drums (later in The Motors) and Rob Smith on bass. For a time Robert Gotobed (later Wire) was on drums and played on the track "Rat City". The band eventually became:
- Edwin Pouncey (aka Savage Pencil) - Vocals
- M.S (Marion Fudger ex of The Derelicts) - Bass
- Steve Spear- Guitar
- JD Haney - Drums (later with The Monochrome Set)
